Humanity is a science in itself: a study of humans adapting and learning toward their lives. In humanity, art shown many forms. Among these forms are music, drawings, dancing, and culture. Music has dated back to prehistoric times when it was just making sounds with immediate available objects such as sticks and rocks. This changed through the Egyptian period, to mediaeval times, to the 19th century, and to the present time. Personally speaking, I have experience with music, and also run in my family for centuries.
In this essay, I have discussed recorded origins of music; ranging from the earliest record, to the present time now. Humanities and Tradition Prehistoric humanity used anything that was readily available because they lacked the knowledge to make instruments. The other early forms are the drum-based, and percussion instruments. Which were the most readily available? Some things used for early music were rocks, sticks, and varied objects that caused unique sounds when played differently at random timing. From it were simple things like these that eventually give guidance for today’s form of music.
With new ages in humanity still arising, arts will evolve into deeper and more personal means of demonstration. We express music in every period, but only changing the way it is played. Giving the instruments new construction, each time period of humanity playing music will reflect the cultural style of life and beliefs. In Ancient Rome and Greece, the roots of all classical art forms fall into a style of music. Which also gave different sounds; rather than the same music constantly played. In Greece, the octave scale is used to express the passion of the Greeks.
The style like the octave scale, were the first building blocks of music theory. During the Pre Dynastic periods, music is used in banquets, feasts, and orchestras. Dancing, when used with music, had brought many dedicated styles. During this time period men and women were not seen dancing together. The most common scenes were groups of females performing in pairs. After successful wars and campaigns, the Pharaohs would celebrate with music and dancing. The early forms of instruments are the harp: that is played in Assurbanipal, (705-681 BCE), was king of Assyria.
The early form of this instrument had only seven strings, that today it can have much more, relaying different pitches. Ramses the 3rd was no stranger to the harp; for he had “The Tomb of the Harpists. ” That contained two blind musicians, (1200 BC). Ancient Rome and Greece was the root of all classical art. Music was a passion of the Greeks, and they first laid the building blocks of music theory. In 600 BC, music is looked at as science and developed the leads to modern music: the octave scale. Whether it was theatre performance, or where the grand dome arena is used as entertainment, or just during feasts.
Most men are trained to play instruments and sing competently because the passion for music was strong in Rome and Greece. In the Middle Ages music was a big part of everyday life. When it came to expressing love, celebrating victories from a battle, or medieval entertainment, music and poetry was always found. This was a big influence during the middle ages. Varied styles came from different moods and meanings for the purpose of the piece played. One of the widely used instruments was the harp. Which had seven strings, and the newer applications used 11 strings.
The Renaissance Period was essential to religion, courtly life, and part civil life. Between the ages of 1400-1600, music is offered in Inns, motels, and buildings where speeches were often conducted. In Europe, music printing was established in 1501 by a Venetian printer named Ottaviano Petrucci. His success went to France, Germany, England, and eventually all around the world. Even though this time period was separate from ancient Greece or Rome, the much older styles were still studied for referencing. The Greeks always adapted new styles of playing music, since they were so big on music theories.
Modern music today is in many forms and styles. Styles ranging from hip hop, rock, blues, gospel, country, bluegrass, alternative, and newer styles are still adapting. Each art has its own unique style of blending dance and art into it. Music has use for celebrations, festivals, merging families together through marriage, and communication. The means of listening and watching music is the main thing that has changed over the years. From different time periods, anyone can see the change in music and how it improved for deeper expressions.
Today music supports advertisement, theatre, dance, films, authorities, and entertainment for children. My experience with music comes from my fascination around the age of 17, and I am still active in music 15 years later. My mother, who was born in England, played the piano for several years. She had played that instrument in theatres, plays, and for other pianists as well. Growing up I had heard her playing and that only sparked my interest toward the six stringed instruments. Everyone would get together and play at times. Especially when family is gathered during the holidays.
Altogether, art is a fashion of skills and talent that humans started experimenting. Now, it is a study at major universities. Each person has included themself in some form of art. If it is construction work, music, painting, drawing, fashion, or design. Art is in every form that requires our uninvited attention and skills to succeed.
1)Panhistoria. 2012. “Music & Dance”. Retrieved from url http://panhistoria. com/www/AncientEgyptianVirtualTemple/music. html, on November 11, 2012. 2)Augusta State University. 2012. “The Music of Ancient Rome”.
Retrieved from url http://www. aug. edu/~cshotwel/2001. Rome. htm, on November 11, 2012. 3)Kilmer, Anne Draffkorn, ‘The Strings of Musical Instruments: their Names, Numbers, and Significance’, Studies in Honor of Benno Landsberger = Assyriological Studies xvi (1965), 261–68. 4)Kilmer, Anne Draffkorn, and Miguel Civil. ‘Old Babylonian Musical Instructions Relating to Hymnody’, Journal of Cuneiform Studies, xxxviii (1986), 94–98. 5)West, M. L. , ‘The Babylonian Musical Notation and the Hurrian Melodic Texts’, Music & Letters, lxxv, no. 2 (May 1994), 161–79.